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Celluloid Fun - An arthouse and independent films blog

Scintillating Silence by Linh

Promotional poster for the film The Artist. Image: The Weinstein Company.


French director, screenwriter and producer Michel Hazanavicius’ film The Artist is a visual and technical homage to the silent film era with references to silent film acting, Hollywood celebrity fanaticism, and other technical aspects of silent film-making before talkies arrived.
The Artist has already won a swag of film awards and has recently been nominated for ten Academy Awards, following three wins at the recent Golden Globe Awards.
The Artist is a black and white silent film that covers the years 1927 to 1932, and focusses on a popular and famous Hollywood silent film star whose career ends when audio technology for talkies (talking movies) arrive, which reflects the real life problems actors faced in having their voices heard by the cinema audiences at the time.

SILENT SUSPICIONS: Doris (Penelope Ann Miller) is unimpressed with her husband George kissing other women, in the film The Artist. Image: The Weinstein Company.


In 1927, George Valentin (Jean Dujardin) is the biggest Hollywood star whose films are similar to those of silent film star Douglas Fairbanks and whose charm and charisma in public has earned him many fans. George has a dog named Jack, who appears in some of his films and is his close companion at work and at home. During one of George’s publicity appearances for his latest silent film A Russian Affair, an aspiring actress named Peppy Miller (Bérénice Bejo) accidentally comes into shot for one of his photo opportunities. George graciously allows her to share the spotlight with him and this infuriates the movie studio boss Al Zimmer (John Goodman) when the press concentrates on George’s ‘mystery woman’ instead of the film. When Peppy auditions for one of George’s upcoming films as an extra, he insists she be cast in his film A German Affair, after witnessing her talent and potential. After the success of this film, Al meets with George and urges him to stop performing in silent films and join him in utilising the latest advancement in film, which enables actors to be audible to audiences, called talkies. George refuses to star in talkies, claiming that he is an artist who does not need technology to act, and he quits. As he leaves the studio, George meets Peppy ascending the stairs, who excitedly tells him she has signed on with the studio to star in their upcoming films. From this point, it becomes apparent that Peppy is a star on the rise while George’s career is coming to an end. This staircase scene is pivotal and foreshadows what is to come in the film; the decline of Geroge’s career as he is seen descending the stairs, while Peppy’s climb up the stairs indicates her rise to stardom.

ASPIRING ACTOR: Peppy (Bérénice Bejo) attempts to impress a stranger (Malcolm McDowell) at her audition in the film The Artist. Image: The Weinstein Company.


The Artist is aesthetically authentic in its attempt to capture the beauty of silent films technically and visually. Director Hazanavicius has diligently researched the various techniques used in silent films to give a truthful and accurate portrayal of film-making and screen-acting of the silent film era during the late 1920s and early 1930s in Hollywood. The music used to accompany the film’s action is well chosen, despite actor Kim Novak’s *claims that The Artist has misappropriated the music score from Alfred Hitchcock’s film Vertigo, in which she starred. Hazanavicius dismissed Novak’s allegations and claimed he was “inspired by Hitchcock's work.” (BBC news)

SUPERSTAR STATUS: Peppy (Bérénice Bejo) has achieved her dream of Hollywood stardom but feels it has come at the expense of George Valentin's career in the film The Artist. Image: The Weinstein Company.


The leading actors are French with a superb supporting cast that includes American and British actors. Jean Dujardin is brilliant as the silent film actor George Valentin whose star power fades when silent films wane as talkies become popular. George is seen as proud and resistant to change so his refusal to embrace the inevitable in the rise of talkies has resulted in his downfall. George’s real reason behind his fear does not concern the technology itself, but the quality of his voice and how its foreign-ness may sound to American audiences. Dujardin has already won a Golden Globe for Best Actor in a Musical or Comedy and an International AACTA (Australian Academy of Cinema Television Arts) award for Best Actor. He is nominated for Best Leading Actor for The Artist in next month’s Academy Awards ceremony.

MOVIE MAKER: Al Zimmer (John Goodman) not only makes movies but ensures that the movie industry keeps evolving and improving in the film The Artist. Image: The Weinstein Company.


Hazanavicius’ wife Bérénice Bejo took five months of tap dancing classes, and to acquire the “American actress persona” she watched film clips of Joan Crawford to emulate her **flapper style and Marlene Dietrich (despite being German-born) for her winking and air-kisses. Bejo gives an excellent portrayal of the gorgeous fresh-faced and starry-eyed ingénue Peppy Miller. The beautiful Argentine-French actor epitomised the excitement and adventurous nature of her character Peppy, the type of personality that reflects the way talkies were affecting the film industry at the time. It is in contrast to George’s attitude and fear of talkies as he clings to his old style of filmmaking when he writes, produces, directs and stars in his self-funded silent film called Tears of Love which flopped against Peppy’s talkie film The Beauty Spot. Peppy represented the latest stage in filmmaking’s evolution while George’s resistance to talkies sees him stuck in the past and left behind.
Bejo has been nominated for an Academy Award for Best Supporting Actress and also in the same category for a Screen Actors Guild Award. She has received a Best Leading Actress nomination for a BAFTA award.

TALENTED TWOSOME: George (Jean Dujardin) joins Peppy (Bérénice Bejo) in a dance sequence in the film The Artist. Image: The Weinstein Company.


Notable performances come courtesy of John Goodman who is fantastic as the studio boss Al Zimmer, whose eagerness to embrace talkies is not only about making profits but to help evolve and grow the film industry; James Cromwell is charming and affable as George’s faithful personal assistant named Clifton who still cares about George even after he fires him; Uggie the Jack Russell Terrier as Jack is a crowd-pleaser and scene-stealer and Penelope Ann Miller is engaging as George’s long-suffering wife Doris, who suspects he is having affairs, feels neglected and lonely, especially as George always brings his work home and never stops “acting”.

COURAGEOUS CANINE: Jack the dog (Uggie) plays the hero as Peppy (Bérénice Bejo) watches on in the film The Artist. Image: The Weinstein Company.


The Artist is a sublime cinematic experience with fantastic performances from the ensemble cast, providing humour, wit and drama performed without spoken words. There are many memorable moments that audiences will love including Jack the dog’s heroic rescue, rehearsal/audition/dance sequences, Peppy’s private moment with George’s jacket in his dressing room, or the staircase scene that is an allegory of the ups and downs of show business and how it affects those who work in the film industry. It’s a film about intertwined destinies when one kind gesture from a superstar at the height of his career can lead to unexpected generosity in return when he loses everything.

The Artist screens in limited release from Thursday 2 February 2012.

The Artist, Behind The Scenes Film Trailer (courtesy of The Weinstein Company):


Director: Michel Hazanavicius

Writer: Michel Hazanavicius (screenplay)

Cast: Jean Dujardin, Bérénice Bejo, John Goodman, James Cromwell, Penelope Ann Miller, Malcolm McDowell, Missi Pyle, Beth Grant, Joel Murray, Ken Davitian, Ed Lauter, Bitsie Tulloch, Basil Hoffman, Nina Siemaszko, Bill Fagerbakke, Cletus Young, Uggie the dog.

Producers: Danile Delume, Antoine de Cazotte, Richard Middleton, Emmanuel Montamat, Thomas Langmann

Director of Photography: Guillaume Schiffman

Original Music Composer: Ludovic Bource

Film Editors: Michel Hazanavicius, Anne-Sophie Bion

Production Designer: Laurence Bennett

Costume Designer: Mark Bridges

Running Time: 1 hour and 40 minutes

References:

*BBC news online staff writer. ‘Artist director responds to Kim Novak Vertigo claim’. 10 January 2012. BBC news website:
Really Long Link


**From the Oxford Dictionary: flapper noun, informal - (in the 1920s) a fashionable young woman intent on enjoying herself and flouting conventional standards of behaviour.
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LEADING LADY: Margaret Thatcher (Meryl Streep) prepares for her victory speech in the film The Iron Lady. Image: Pathé Films.


Margaret’s Memories by Linh

The film The Iron Lady is overall an average film and is saved by the brilliant performances of its lead actors Meryl Streep, Jim Broadbent and newcomer Alexandra Roach. Critics have called it the next King’s Speech, but by no means is this film anywhere close to the warmth, poignancy and inspiration of last year’s Academy Award winner for Best Film. The Iron Lady is a non-linear biopic seen through the eyes of an older Margaret Thatcher whose memories provide the narrative thread of critical points in her personal and political life. These moments in her life are some of her most infamous and memorable, yet these events (Falklands War, anti-trade unionism, privatisation etc.) are seen in extended flashbacks and have little explanation and lacks connection to her present state.

CONSERVATIVE COUPLE: Denis Thatcher (Jim Broadbent) and Margaret Thatcher (Meryl Streep) celebrate Mrs. Thatcher being Britain's first female Prime Minister in the film The Iron Lady. Image: Pathé Films.


The role of Margaret Thatcher is unashamedly Oscar-bait for Meryl Streep, who once again rises to the challenge of convincing mimicry and imitation with her usual excellence in performance and screen presence. Despite Streep’s remarkable resemblance to Mrs. Thatcher, with the help of movie makeup, it is a major fault to use dementia as a means to humanise the former British Prime Minister in order to draw sympathy from viewers. No matter how frail or to what extent she is plagued by mental illness, Mrs. Thatcher will always be seen as a monstrous and fierce political force for refusing to compromise, negotiate or bow to those who disagreed or challenged her views. This unwavering stance has gained Mrs. Thatcher praise as well as criticism that led to division in her party and disunity among her party members and colleagues. During her leadership, women were divided, with those supporting her for being a woman who penetrated the male dominated realm of politics or she was reviled by other women who saw Mrs. Thatcher as more monstrous than humane in dealing with social issues.

PARLIAMENTARY POWER: Margaret Thatcher (Meryl Streep) shows no compromise during parliamentary debates in the film The Iron Lady. Image: Pathé Films.


The film opens with an older Margaret Thatcher (Meryl Streep) twaddling along to the shop to buy milk. She is quietly displeased at what she believes is the high price of milk and complains about it to her husband when she arrives home. Mrs. Thatcher is suffering from symptoms of dementia and she sees her husband Denis (Jim Broadbent) around the house, even though he has been dead for decades. She speaks to him when she is by herself and he responds with jovial quips and silliness. As Mrs. Thatcher tidies up her house, various items trigger memories of her past, bringing on flashbacks from her teenage years, her time before election into the Conservative Party and her glory days until the end of her political career.

Streep is superb as the middle-aged and older Mrs. Thatcher; Jim Broadbent does a sterling job as the ghost of Denis Thatcher; Alexandra Roach is excellent as the young Margaret Roberts and the supporting cast members, comprising of Richard E. Grant, Roger Allam, Anthony Head, Harry Lloyd and Olivia Colman, are commendable in their roles.

Dementia and other mental illnesses used to “soften up” Mrs. Thatcher is a questionable ploy to gain sympathy for a politician depicted as one who is now left feeling powerless and lonely. An impairment such as stammering or speech impediment was a sure-fire winning formula for The King’s Speech, but in this instance, mental deterioration is viewed as a blatant attempt for The Iron Lady to gain the sympathy vote from viewers and Academy Award voters. Although it is a wonderful idea to see the effects of dementia on the lives of individuals portrayed onscreen, the film The Iron Lady misuses it for its own purposes (such as for winning awards/sympathy votes). Using dementia in this manner is shameful, yet the producers and director Phyllida Lloyd must be admired for attempting to find a way to humanise Margaret Thatcher in the eyes of many Britons who lived under her regime of social unrest and political turmoil.

The Iron Lady is likely to be a potential nominee for Academy Awards in Best Leading Actress, Best Makeup and Best Costume Design.

The Iron Lady, Official Film Trailer (courtesy of Pathé Films):


Director: Phyllida Lloyd

Writer: Abi Morgan (screenplay)

Producers: Anita Overland, Colleen Woodcock, François Ivernel, Cameron McCracken, Tessa Ross, Adam Kulick Damian Jones

Cast:
Meryl Streep, Jim Broadbent, Alexandra Roach, Harry Lloyd, Olivia Colman, Richard E. Grant, Anthony Head, Roger Allam, Nicholas Farrell, Susan Brown, Nick Dunning, Iain Glen, Michael Maloney, Pip Torrens, Angus Wright, Julian Wadham

Original Score: Thomas Newman

Cinematography/Director of Photography: Elliot Davis

Film Editor: Justine Wright

Production Designer: Simon Elliott

Costume Designer: Consolata Boyle

Hair and Makeup Designers: Marese Langan, J. Roy Helland, Mark Coulier

Running Time: 1 hour and 45 minutes
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Albert Nobbs; drama, comedy film review

December 27th 2011 11:02
DUBLIN DATE: Helen (Mia Wasikowska) and Albert (Glenn Close) go on a date in the film Albert Nobbs. Image: Chrysalis Films, West End Films.


Survival Secrets by Linh

Albert Nobbs is a film adaptation, based on a short story by Irish author George Moore, about a woman who has spent the past thirty years passing herself off as a man while working as a waiter since she was a teenager. Life in Ireland during the late 1800s was tough and it was the only way for her to become independent and employed. Albert was an illegitimate child and was never told about her true identity, and she never even knew her own name, but she was given a photograph of her mother by her foster parent. After being sexually assaulted and bashed by a group of men when she was a teenager, Albert answered a job advertisement seeking young waiters. At the age of fourteen, Albert dressed as a boy and successfully landed a job as a waiter. Since then, she, now a “he”, has never looked back.

GENTLEMANLY GESTURE: Helen (Mia Wasikowska) feels uncomfortable as Albert (Glenn Close) plants a kiss on her cheek in the film Albert Nobbs. Image: Chrysalis Films, West End Films.


The film begins with Albert working as a waiter in the kitchen of the posh Morrison’s Hotel, alongside a lively group of cooks, maids and waiters who laugh and gossip about many of the guests. Unbeknownst to his co-workers and his employer Mrs. Baker, Albert has a secret of his own. His secret is discovered by accident when Mrs. Baker hires the painter Hubert Page and she suggests he shares a bed with Albert. Hubert promises to never reveal Albert’s secret and he becomes Albert’s confidante and friend. Albert confides in Hubert and then his colleague Helen, about his dream is to open a tobacco shop and then retire in a home by the sea. However, complications arise with the arrival of Joe Macken, the apprentice boiler; at a time when Albert is desperate to achieve his dream and even find a “wife” to help him serve at the counter of his future tobacco shop.

SHARING SECRETS: Albert (Glenn Close) opens up to Hubert (Janet McTeer) about his past and his future dream in the film Albert Nobbs. Image: Chrysalis Films, West End Films.


The ensemble cast led by a superb Glenn Close (Therese Raquin and TV series Damages) bring humour and warmth to their roles. Close is deserving of an Academy Award nomination and certainly a win for her portrayal of a woman who escapes poverty and loneliness by dressing as a man. Close reaches to the core of her character and brings out true emotions, pathos and sincerity. An interesting feature of the character is how Albert seems to have no real identity to show subjectivity, and he takes on the qualities and skills of a waiter as if his job defines him. His impeccable manners, neat appearance, clear and laconic speech, always standing with a straight back and brisk walking are all skills of a waiter which Albert performs as if they are part of his personality and not just his job.
Close has contributed to almost every aspect of this film including as co-screenwriter, co-producer, collaborated with composer Brian Byrne on the song ‘Lay Your Head Down’ and even as the film’s location scout. This film is a labour of love for Close and took almost thirty years to come to fruition.

The Irish accents are comprehensible and all cast members were exceptional including Australian actor Mia Wasikowska (The Kids Are All Right, Stoker) who is delightful as the feisty and affable Helen; Janet McTeer (Tumbleweeds, The Woman In Black) is excellent as the gentle giant Hubert Page, who shares a secret with Albert; Aaron Johnson (Kick Ass, Savages) displays courage and conviction as Joe, who suffered abuse at the hands of his father, and is desperate to leave Ireland to pursue his dream of success in America.

BLISSFULLY BETROTHED: Cathleen (Bronagh Gallagher) and Hubert (Janet McTeer) defy the social conventions of 19th century Ireland and encourage Albert to pursue his dream in the film Albert Nobbs. Image: Chrysalis Films, West End Films.


Albert Nobbs is beautifully filmed, and resonates with contemporary audiences, set in a time where sexual identity and gender issues were kept secret and unspoken, and there were no labels back then. It is a simple and poignant story about a woman dressed as a man purely to survive and escape poverty while pursuing a dream. It is these themes of survival, dreams and staying true to ourselves that are universal and touches the heart and mind of the viewer. Viewers may see other women issues depicted in the film such as the status of women, domestic violence and abuse, or having a child out of wedlock. Albert Nobbs is a brilliant film with outstanding performances that is sure to receive plenty of accolades during the official awards season in 2012.

Academy Awards potential nominations for Albert Nobbs may include Best Actress in a Leading Role for Glenn Close, Best Supporting Actress for Janet McTeer, Best Adapted Screenplay, Best Costume Design, Best Makeup, Best Cinematography and Best Original Song for ‘Lay Your Head Down’. Albert Nobbs has been nominated for three Golden Globe Awards, with recipients announced on Sunday 15 January 2012.

Albert Nobbs, Official Film Trailer (courtesy of Hopscotch Films):


Director: Rodrigo Garcia

Writers: George Moore (short story), John Banville (screenplay), Glenn Close (screenplay), Gabriella Prekop (screenplay)

Cast: Glenn Close, Mia Wasikowska, Janet McTeer, Aaron Johnson, Brendan Gleeson, Pauline Collins, Maria Doyle Kennedy, Brenda Fricker, Mark Williams, Bronagh Gallagher, Antonia Campbell- Hughes, John Light, Annie Starke, Judy Donovan, Serena Brabazon, Kenneth Collard, Michael Hough, Jonathan Rhys Meyers, Phoebe Waller-Bridge, Emerald Fennell

Producers: Julie Lynn, Bonnie Curtis, Glenn Close, Marcia Allen, Susan Holmes, Alan Moloney, John Eger, Patrick O’ Donoghue, Pierre-Francois Bernet

Cinematography/Director of Photography: Michael McDonough

Original Music Composer: Brian Byrne

Film Editor: Steven Weisberg

Production Designer: Patrizia von Brandenstein

Costume Designer: Pierre-Yves Gayraud

Makeup Effects Designer: Matthew W. Mungle

Running Time: 1 hour and 55 minutes
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BRIGHT YOUNG TALENT

October 30th 2011 10:36
Emerging Artists by Linh

Talented, *young performers, whose names are being mentioned in certain social and media circles, are emerging from obscurity to possibly become the latest sought-after talents in Hollywood. Some have already starred alongside the biggest names in Hollywood while others are soon to appear in star-studded casts in upcoming films


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Red Dog; drama comedy film review

September 3rd 2011 18:31
PILBARA PALS: Red Dog (Koko) and John (Josh Lucas) become close companions in the film Red Dog. Image: Roadshow.


Wandering Wonder by Linh


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Same-Sex Success – List of Celebrity Twitter Responses:

RAINBOW RIGHTS: New York's Empire State Building lights up in rainbow colours for Pride Week.

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Shakespearean Superhero by Linh

THUNDEROUS THOR: Thor (Chris Hemsworth) shows he is worthy of being King of Asgard in the film Thor. Image: Paramount Pictures, Marvel Studios.

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Gender Games by Linh

HAPPY HOUSEWIFE: Suzanne (Catherine Deneuve) is a seemingly contented as a housewife to husband Robert (Fabrice Luchini) in the film Potiche. Image: Mandarin Films.

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2011 Oscar Winners

February 28th 2011 15:09
AWESOME FOURSOME: Christian Bale, Natalie Portman, Melissa Leo and Colin Firth backstage after the 83rd Academy Awards ceremony. Image: Getty Images.



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Follicle Fantasy by Linh

Poster artwork for Tangled. Image: Walt Disney Pictures.

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